Happening Here - Using a Home Or Automobile Having a Personal Relationship With It

Happening Here - Using a Home Or Automobile Having a Personal Relationship With ItIf you're looking for a 'haphazard' format for your essay on having a personal relationship with your home or automobile, then you might want to consider using a 'Happening Here' belonging essay sample. These are excellent for the summer or after school essay writing process. You may have seen this type of essay sample being used as an example on different college campuses, in fact. A lot of students will take a course on community development and social justice.When it comes to taking this type of learning abroad, it can be quite beneficial because you can build a solid foundation by studying in a foreign country without having to leave your college campus. Now, we know that many students have busy lives outside of college, but it's good to know that you can use this tool for good. This is a nice little teaching tool to teach us about what it means to have a 'homely' or belonging.When you're reading th e section about the dwelling or the car, keep in mind that it doesn't have to be a permanent fixture of the space. In fact, it's not always a good idea to say that your car or dwelling is your 'home'. Maybe it's just the place where you pick up your kids from school. Or maybe it's just the place where you spend your weekends watching movies, drinking coffee, or playing video games. It's okay to say that you like having your own home.There are several sentences that I love about this example, one of which is about the personal responsibility. We all have responsibilities to others, but it's important to know that responsibility is important. We have to care for those who can't care for themselves.And another great quote from the sample is about belonging to yourself. It shows that sometimes we take ownership of our own place, even though we don't necessarily do all the work in the traditional sense. We have to learn how to share and care for others, which is why the personal responsi bility comes into play.A personal relationship with one's place is also shown when the author talks about a place being 'my body', but it's also about sharing and caring for others' bodies. The care for our own body includes caring for others. Having a personal relationship with one's car or dwelling can be really helpful.Part of being able to do this is knowing how to get in touch with our feelings. Getting in touch with ones inner feelings is a great thing to talk about and this sharing quote show that it's OK to get in touch with one's feelings and emotions.Being able to relate to one's belongings is a great way to understand the importance of having personal relationships with them. Another benefit is being able to save money for the future because we can find out what is needed and save the rest. Taking this home and using it in a semester abroad can help to create a strong, lasting relationship with one's dwelling or car.

About Charles Follen McKim, Architect of the Gilded Age

About Charles Follen McKim, Architect of the Gilded Age With his partners Stanford White and William R. Mead, architect Charles Follen McKim designed grand Beaux Arts buildings, important mansions, and also relaxed Shingle Style homes. As the architectural firm of McKim, Mead White, these three architects brought European nobility and taste to Americas nouveau riche. Background of McKim: Born: August 24, 1847 in Chester County, Pennsylvania Died: September 14, 1909 at his summer home in St. James, Long Island, New York Education: 1866-1867: Lawrence Scientific School at Harvard University, Cambridge, MA1867-1870: Studied architecture at the École des Beaux-Arts in Paris Professional: 1867: Worked briefly in the New York office of Russel Sturgis1870: Joined the office of Henry Hobson Richardson1877: Partnered with William R. Mead1879: Stanford White joined the partnership and the influential architectural firm of McKim, Mead White was established Important Projects: McKim, Mead, White designed both relaxed summer homes and grand public buildings. Landmark examples of McKims influential designs include these: 1881-1883: Isaac Bell House in Newport, Rhode Island1887-1895: Boston Public Library1894: New York Herald Building1897: Low Memorial Library, Columbia University, New York City1906: Pierpont Morgan Library, New York City1910: Pennsylvania Station, New York City Styles Associated with McKim: Beaux ArtsShingle Style More About McKim: Charles Follen McKim was influenced by his study at Ecole des Beaux Arts in Paris. Along with his partners Stanford White and William R. Mead, McKim applied French Beaux Arts ideas to grand American buildings like the Boston Public Library and Pennsylvania Station in New York City. These historic styles were not associated with the new architecture of the day- the skyscraper- so the firm did not tackle skyscrapers. However, after McKims death, the firm built the 40-floor Municipal Building (1914) in Lower Manhattan. McKim was drawn to the clean lines of American Colonial architecture, and he admired the simple architecture of Japan and rural France. The architectural firm McKim, Mead, White became known for informal, open plan Shingle Style houses designed shortly after the partnership was formed. They could also transition into designing the more opulent styles prevalent in Newport, Rhode Island. McKim and White became the design architects of the firm, while Mead administered much of the firms business. What Others Say: McKims formal training and innate sobriety provided clarity of form to which White added richness of texture and plasticity in ornamentation.- Professor Leland M. Roth, Architectural Historian Learn More: Archives: The Charles Follen McKim papers,1838-1929, are held at the Library of Congress, Manuscript Division (PDF)Americans in Paris: Foundations of Americas Architectural Gilded Age by Jean Paul Carlhian and Margot M. Ellis, Rizzoli, 2014Triumvirate: McKim, Mead White: Art, Architecture, Scandal, and Class in Americas Gilded Age by Mosette Broderick, Knopf, 2010Making of the Morgan from Charles McKim to Renzo Piano by Paul S. Byard, Morgan Library Museum, 2008 Source: McKim, Mead, and White by Leland M. Roth, Master Builders, Diane Maddex, ed., Preservation Press, Wiley, 1985, p. 95